We use time series data from the first United Kingdom Earth System Model (UKESM1) to create six procedurally generated musical pieces for piano. Each of the six pieces help to explain either a scientific principle or a practical aspect of Earth system modelling. We describe the methods that were used to create these pieces, discuss the limitations of this pilot study and list several approaches to extend and expand upon this work.

Boundary|Time|Surface was an ephemeral art installation providing an opportunity to contemplate the human experience relative to the enormity of time and the fragile and arbitrary nature of human-defined boundaries. Exhibitions derived from the documentation of the original installation provided opportunities for over 25 000 members of the public to interact with the work, both aesthetically and as a source of information on the geological and sociopolitical history of the site.

The paper describes an informal education activity focusing on coastal dynamics to engage with 10-year-old students. It combines science concepts, storytelling, and creative dance through six exercises translating wave generation, propagation, and sediment transport. Benefits from these types of activities range from engagement with science to acknowledgement of individual differences. Results of a questionnaire (112 students) show evidences of engagement and willingness to participate further.

The Space Sound Effects Short Film Festival integrated near-Earth space environment research into culture through independent film. By running a film festival challenging filmmakers to incorporate the sounds of space, creative works were produced which have gone on to be screened at numerous established film festivals and events internationally. These events introduced non-science audiences to this area of research which affects their everyday lives, having several unanticipated impacts on them.