Articles | Volume 3, issue 2
https://doi.org/10.5194/gc-3-427-2020
https://doi.org/10.5194/gc-3-427-2020
Research article
 | 
15 Dec 2020
Research article |  | 15 Dec 2020

A portrait of central Italy's geology through Giotto's paintings and its possible cultural implications

Ann C. Pizzorusso

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Status: closed
Status: closed
AC: Author comment | RC: Referee comment | SC: Short comment | EC: Editor comment
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Peer-review completion

AR: Author's response | RR: Referee report | ED: Editor decision
ED: Publish subject to minor revisions (further review by editor) (27 Jul 2020) by Tiziana Lanza
AR by Ann Pizzorusso on behalf of the Authors (04 Aug 2020)  Author's response   Manuscript 
ED: Publish subject to technical corrections (07 Sep 2020) by Tiziana Lanza
ED: Publish subject to minor revisions (further review by editor) (07 Sep 2020) by Sam Illingworth (Executive editor)
AR by Ann Pizzorusso on behalf of the Authors (13 Sep 2020)  Author's response   Manuscript 
ED: Publish as is (30 Sep 2020) by Tiziana Lanza
ED: Publish subject to minor revisions (further review by editor) (30 Sep 2020) by Sam Illingworth (Executive editor)
AR by Ann Pizzorusso on behalf of the Authors (06 Oct 2020)  Author's response   Manuscript 
ED: Publish subject to technical corrections (26 Oct 2020) by Tiziana Lanza
ED: Publish subject to technical corrections (26 Oct 2020) by Sam Illingworth (Executive editor)
AR by Ann Pizzorusso on behalf of the Authors (30 Oct 2020)  Manuscript 
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Short summary
In this age of environmental awareness, it is interesting to see how the ecological movement was created by a saint and an artist. The unlikely team of St. Francis and Giotto were revolutionaries – the former, with his ideas on natural philosophy, and the latter, who portrayed the geological landscape in a way that made any viewer aware of the majesty of God's creation. These two created a lasting legacy as they shaped our perspective on the environment over 700 years ago.
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